The Two Sagas of the Epic of Gilgamesh :: Epic Gilgamesh essays

The Two Sagas of Gilgamesh   Western literature has few epics of any real greatness readers can probably bring up most of them and count them on their hands with a few fingers left over. Of these, The Epic of Gilgamesh is by far the oldest. The standard version of the epic grandfathers Homers Iliad and Odyssey by centuries. barely what does it mean to call Gilgamesh an epic?  By the standards of Homers outline of an epic, Gilgameshs tale could be seen as two distinctly different, yet drawn together sagas.   There is a hero of great national or even universal importance in a vast canvas, a setting that may be the livelong world or larger. In the beginning we are introduced to our hero as not only the great king of Uruk, son of the goddess Ninsun and the great king, Lugalbanda, but alike a great tyrant who became a hero. From the beginning of his story this man is destined for a fantastic journey that spans the worlds beyond what any of his peasants can fancy to see. We are told that he is more godly than not, yet still must suffer the same fate as all mortals. With destiny set against his mortal, or physical life Gilgamesh must take the journey to the great cedar forest of Lebanon where he will prove his superior strength (and favor from the gods) to the world.   The fleck involves battles involving superhuman deeds or a long, difficult journey while gods or other supernatural beings are interested and involved. Gilgamesh does encounter all of these things. not once, but twice. In the first part of this tale he battles Humbaba, the feared giant who protects the trees of the cedar forest. Alongside him is his trusted friend, Enkido. Enkido was made by the gods, an equal of Gilgamesh which they planted in the wild as a man to grow strong in the wild of the animals. It is after Enkido has become Gilgameshs friend that he complains of feeling weak from civilization, and gives Gilgamesh the opinion of conquering something great to reclaim hi s strength and perpetuate their names. In this task they are also helped by Shamash the god responsible for the cedar forest because he takes pity on Gilgameshs mortality. Yet his story does not end at the defeat of Humbaba. Nor does it stop at the return of the mighty king of Uruk.